Hylla
Titel och upphov Curating under pressure international perspectives on negotiating conflict and upholding integrity
Utgivning, distribution etc. Routledge, New York : 2020
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning xxiv, 238 sider illustrasjoner (svart og hvitt)
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc. Har bibliografi og register
Anmärkning: Innehållsbeskrivning, sammanfattning "Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"-- Provided by publisher.
Term Art and society Curatorship Intellectual freedom Censorship Kunst og samfunn Kuratering Sensur
Personnamn Marstine, Janet Mintcheva, Svetlana
Seriebiuppslag under titel
ISBN
*00003129nam a2200457 c 4500
*00172853
*00520210302120005.0
*008210302s2020 nyu||||||b||||000 0|eng|c
*020 $a9780815396192$qheftet
*035 $a(SE-LIBR)bp253s4j8wlp6gs2
*040 $aKama$bnor$cDLC$dNO-TrBIB$ec$erda
*041 $aeng
*050 0$aN72.S6
*08204$a069.5$223$qNO-OsNKA
*084 $aBga$2kssb/8 (machine generated)
*24510$aCurating under pressure$binternational perspectives on negotiating conflict and upholding integrity /$cedited by Janet Marstine and Svetlana Mintcheva.
*264 1$aNew York :$bRoutledge,$c2020
*300 $axxiv, 238 sider$billustrasjoner (svart og hvitt)
*336 $atekst$2rdaco
*337 $auformidlet$2rdamt
*338 $abind$2rdact
*4901 $aMuseum meanings ;$v29
*504 $aHar bibliografi og register
*520 $a"Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"--$cProvided by publisher.
*650 0$aArt and society
*650 0$aCuratorship
*650 0$aIntellectual freedom
*650 0$aCensorship
*650 7$aKunst og samfunn$2aatnor
*650 7$aKuratering$2aatnor
*650 7$aSensur$2humord
*7001 $aMarstine, Janet
*7001 $aMintcheva, Svetlana
*830 0$aMuseum meanings ;$v29
*852 $5Kama$bKama$hBga$j2021:003$lBGa, Curating
*887 $a{"@id":"bp253s4j8wlp6gs2","modified":"2021-03-02T12:00:05.706+01:00","checksum":"53067560107"}$2librisxl
*887 $5Kama$a{"@id":"8m031vls6vnn0dg9","modified":"2021-03-02T12:01:41.352+01:00","checksum":"71070360900"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.